No matching fragments found in this document.
2ND AMERICAN ADVANCED CLINICAL COURSE LECTURES Camden, New Jersey 17 November—22 December 1953 Twenty-one auditors attended the 2nd American ACC at Camden, New Jersey starting November 16, 1953. L. Ron Hubbard, developing SOP-8 Clinical, gave the following lectures: * 5311C17A * 5311C17B * * 5311C17C * * 5311C17D * 5311C18A * 5311C18B * 5311C18C * 5311C18D * 5311C19A * 5311C19B * 5311C20A * 5311C20B * 5311C23A * 5311C23B * 5311C24A * 5311C24B * 5311C24C 5311C24 * 5311C25A * 5311C25B * 5311C25 * 5311C26A * 5311C26B * 5311C26C * 5311C27A * 5311C27B * 5311C28A * 5311C28 * 5311C28B * 5311C28C * 5311C28D * 5311C30A * 5311C30B * 5312C01 * 5312C02A * 5312C02B * 5312C03A * * 5312C03B * 5312C04A * 5312C04B 2ACC-1A 2ACC-1B 2ACC-2A 2ACC-2B 2ACC-3A 2ACC-3B 2ACC-4A 2ACC-4B 2ACC-5A 2ACC-5B 2ACC-6A 2ACC-6B 2ACC-7A 2ACC-7B 2ACC-8A 2ACC-8B 2ACC-8BX 2ACC-8B 2ACC-9A 2ACC-9B 2ACC-9 2ACC-10A 2ACC-10B 2ACC-10BX 2ACC-11A 2ACC-11B 2ACC- 12A 2ACC-12B 2ACC-12 2ACC-12 2ACC-12 2ACC-12BX 2ACC-13A 2ACC-13B 2ACC-14A 2ACC-14B 2ACC-15A 2ACC-15B 2ACC-16A 2ACC-16B Opening Lecture: Emotional Tone Scale SOP-8C First Lecture Getting Up Speed—Part I Getting Up Speed—Part 11 Step I of 8-C, Beingness Black Mock-ups, Persistence, MEST Step 11, Automaticities Waste a Machine Effects, Reaching End of Cycle More on Machines Resistance to Effect Plan of Auditing Formula “Phi”, Creation of MEST Summary of Steps 1,11,111 of SOP-8C AnchorPoints, Knowingness of Location Steps 5, 6, 7; Duplication, Unconsciousness Additional Remarks The Death Wish (could be same tape as above) Steps 5, 6, 7; Time SOP-8C, Summary of Machines, Attention (could be same tape as above) Electronic Theory, Anchor Points Exteriorization Additional Remarks Anchor Points, J ustice Symbols Wasting Machines Machine Duplication Demonstration: Group Processing Special Session—Experimental Process 2nd Demonstration: Group Processing Additional remarks Space, Perception, Knowingness Space, Lack of, Resistance Ron Junior Remarks on 2ACC-13 A & B Blackness Time as a Barrier Time, Cause and Effect Plan of SOP-8C LRH Questions the Class on Exteriorization * 5312C07A * 5312C07B * 5312C08A * * 5312C08B * 5312C09A * * 5312C09B * 5312C10A * 5312C10B * 5312C11A * 5312C13A * 5312C13B * 5312C14A * * 5312C14B * 5312C15A * 5312C15B * * 5312C16A * * 5312C16B * * 5312C17A * 5312C17B * 5312C18A * 5312C18B * 5312C18C 5312C18 * * 5312C19 5312C 2ACC-17A 2ACC-17B 2ACC-18A 2ACC-18B 2ACC-19A 2ACC-19B 2ACC-20A 2ACC-20B 2ACC-21A 2ACC-21B 2ACC-22A 2ACC-22B 2ACC-23A 2ACC-23B 2ACC-24A 2ACC-24B 2ACC-25A 2ACC-25B 2ACC-26A 2ACC-26B 2ACC-27A 2ACC-27B LECTURE 2ACC-28A LECTURE * * 5312C20A * * 5312C20B * 5312C20C * 5312C21A * 5312C21 B * 5312C22A * 5312C22B * 5312C23 2ACC-28B 2ACC-29A 2ACC-29B 2ACC-30A 2ACC-30B 2ACC-31 A 2ACC-31B LECTURE Barriers, Occlusion Outline of SOP-8C Essence of SOP-8C Problems of Auditing Summary: The Dynamics Bodies Knowingness SOP-8C: General Discussion SOP-8C: Patter Force—Part I Force—Part 11 SOP-8C: Step 8, Definitions Cause and Effect, Assignment of Cause, G.E. SOP-8C: Step 5 Energy Problems Techniques Which Do or Do Not Assign Cause Comm Line: OvertAct-MotivatorSequence SOP-8C: Formulas Space Opera The Only One Beingness SOP-8C: General Philadelphia 1953 last hour Mass Mocking Up Mass, Putting It on Head (could be same tape as above) Communication Auditing by SOP-8C, Formula H Reach/Withdraw Ability to Accept Direction Knowingness and Certainty Remedy of Havingness Postulates Problem of Auditing Handled A special series of 6 hours of lectures given by L. Ron Hubbard summarizing Clinical Procedures (SOP-8C), as part of the 2nd Advanced Clinical Course, were reproduced for release as a tape package. Per Journal of Scientology 22-G, “These lectures, designated ‘SOP-8C(G)’ when combined with the Philadelphia Congress Lecture Tapes, as a package, make a comprehensive course in Standard Operating Procedures of Scientology.” LRH TAPE LECTURES December 1953 5312C .. 5312C .. 5312C .. LECTURE LECTURE LECTURE Chart of Attitudes Exteriorizing—Group Auditing Group Auditing—Tone Scale